Round 93: 1F19 vs. HABF17.
1F19: “The Boy Who Knew Too Much” (Season 5 / May 5, 1995)
Written by John Swartzwelder
Directed by Jeff Lynch
Showrunner: David Mirkin
I had this whole big speech prepared about why something like the “Westworld“-inspired chase sequence between Skinner and Bart works here, in season five, but if a similar thing would happen in season 25 (is that where they’re at?) it would feel cheap and out of place, but then my browser just closed the tab I was writing in and I had to start from scratch:
Part of the reason is the execution – today’s animation just can’t compare to what the show used to look like – part is the reference – it wouldn’t be some mildly obscure 70s sci-fi flick but something painfully obvious like, I dunno, “The Hunger Games” – but mostly it would come down to the oft-cited ‘rubber-band reality‘ of “The Simpsons.”
We can accept (and laugh off) Skinner walking through the river like some sort of…non…giving up…school guy, because it’s clearly done with a winking eye in an otherwise grounded episode. Bart’s dilemma of whether to tell the truth to save Freddy Quimby from trouble while getting himself into trouble is real, so it’s okay if the reality that’s getting him there is stretched a bit.
Today, not only has the rubber-band long been snapped and broken into fragments; the plots are so far off the ground that it can hardly be seen anymore.
- One of Phil Hartman’s most perfect performances:
-Lionel Hutz: “I rest my case.”
-Judge: “You rest your case?”
-Lionel Hutz: “What? Oh no I thought that was just a figure of speech. … Case closed.”
HABF17: “Treehouse of Horror XVII” (Season 18 / November 5, 2006)
Written by Peter Gaffney
Directed by David Silverman, Matthew C. Faughnan
Showrunner: Al Jean
Not a particularly good Halloween special. The first segment (Blob) is awful, the second (Golem) slightly better but still pretty bad and the third (War of the World) has some nice things going for it – I especially liked the 1930’s design of the people of Springfield – but ultimately disappoints, as well.
The winner: 1F19, “The Boy Who Knew Too Much.”